That’s why I can’t get around to revising my book manuscript.
Every time a little space opens I stuff it with something new.
Scan the minutes of the last Historic Preservation Commission and consider going to meetings. Brush up on my French, or learn Spanish beyond the most rudimentary level. Mend a sheet. Change my mind about saturated fats. Go to Athens and Istanbul. Have a cold and binge watch a Turkish soap opera. Wash and paint the front porch. Read one or three of the gazillion books stacked around the house and the National Geographics and New Yorkers too. Make garden revisions. Write a letter to city council members about granny flats. Get my bike going and take long rides. Go to the movies. Make mayonnaise. Plan next year's trip to Paris.
Write a blog post.
Anything but revise the manuscript.
It sits in a sturdy faux leather ring binder I bought on eBay years ago. All 82,782 words spread over 331 pages that have, according to Word, already been edited 232 hours and 34 minutes (and this is a second draft, so add to that the 122 hours and 33 minutes of the first draft). But I'm whining. That's only some 44 days of full-time work.
I tell myself that when the weather gets really hot then I will be able to sit in my chair in my air conditioned office for the long hours required to get this material up to snuff. Butt In Chair.
But the truth is, I’m in a rocky relationship with this book. Foremost, I love it passionately and that causes all kinds of problems. I never loved Leave the Dogs at Home, so I could brutally beat it up, slice and dice it, no problem. But because I love this book, it scares me. I worry that my beloved is no good. That my affections are ill spent. What if I open it again, and it is terrible?
And, unlike Leave the Dogs, this book, tentatively and poorly named Counter Groove, isn’t finding its own way yet through the world of publishing. Leave the Dogs, even in its worst, most discombobulated state, was loved. It attracted mentors and grants. I had to run to keep up with it. The Dogs had a destiny from the get-go. So far, this work is searching for its path. Still, it took five years of revisions for The Dogs to get there. And I can remember that agony, that madness. Do I want to succumb? Blot out almost everything else and submerge myself? Is there any other way to do it?
Earlier this week, I was thinking about getting a cat. My last two cats have lived about 20 years. If I live 20 years to age 88, I will have outlived generations of women in my family who have all expired between the ages of 83 and 86. Would the poor cat find herself ancient and alone?
Some say I’m healthier and will live longer. My annuity company doesn't think so. Online longevity calculators put me at 95. But they don't know about my long-gone rotten appendix and gall bladder. The nasty DCIS cells dug out and radiated last year.
All this longevity thinking led me to the familiar zone of pondering how I’m spending my ever-dwindling time and my ever degenerating memory. Twenty years is 7,305 days. What's 44 days? Less than 1%.
The thick binder of pages must be opened. The pencil must get busy. The revision must begin. the papers must be stuck on the wall. The madness must be welcomed. I cannot abandon my beloved because I’m afraid it won’t get a lift under its wings. I have to open the windows and doors, let the wind in.